Counting ink, 2016.

2016 was a year where I didn’t get as much done as I’d hoped. Still, I did not do nothing, and I did get two short stories published:

“The Gannet Girl”, in the May issue 102 of On Spec magazine; my fairy tale of sea witches and social expectations, and gannets which do not love but may be loyal.

Playing Prometheus“, in the November 18 issue of Persistent Visions; my time travel story. I’m not sure I have it in me to write another, but I am so very pleased I wrote this one.

I have another story which was accepted this year and will be published in 2017; that’s my magical alphabet noir story, which is apparently a pretty nifty concept.

I submitted stories 36 times in 2016, and got 36 rejections (33 were from 2016 submissions, and 3 were from submissions made in 2015). I also got two acceptances.

I’ve got four stories out at the moment. I’m hoping to manage a lot closer to seventy submissions next year; I was aiming for it this year and fell woefully short.

 

Happy New Year! See you on the other side.

Annoyed and grumpy.

To be clear that’s “being the subject of targeted annoyance” rather than “being in a free-floating annoyed state”. Because apparently there is at least one guy in the complex where I work who takes the sight of a woman walking down the hall and being engaged in something on her phone as a reason to pretend he’s going to run into her.

Not even joking. Direct quote: “I was just bugging you. Acting like we were going to run into each other. Because you were on your phone.”

Yes, sir. Yes, I was on my phone. And you successfully interrupted what I was doing, motivated by seeing that I was on my phone. For your next trick, perhaps you will interrupt someone who is not available to pay attention to you in a completely different way.

I am mostly over the irritation about this, but it feels like the week is shaping up to be a long week and this didn’t really help.

Changing times

My short story “Playing Prometheus” has been published at Persistent Visions! It can be read online here. And the art for it is absolutely gorgeous; I am deeply grateful to Dana Martin.

(Please note: there is a content warning at the top of the story.)

I’ve noticed that a lot of time travel stories suggest that good results only come of preserving the past, or of making changes by accident. “Playing Prometheus” is my attempt to engage with that.

I hope you enjoy it; I’ve done my best.

Interpretation

One of my favourite pairs of earrings is “Deciphering As Art“, by Elise Matthesen (whose other jewelry you can currently find on Etsy). They’re pretty simple; tiny squares of striated grey stone, with a grey fiber-optic bead dangling under them. They’re a beautiful, simple reminder of the process of taking something you’re actually presented with that  has a quality or a tendency,

I have been thinking about this a bit lately. I had a very long discussion about reconciling  Deadpool’s Rule (thank you, Foz Meadows) with calling out queerbaiting recently. The two points which came out of it were:

  • It’s reasonable to look at a character’s actions and interactions and draw the conclusion that said character is not straight without them explicitly naming themselves as such. (Deadpool’s Rule)
  • It’s reasonable to look at a creator (or creative team) that consistently refuses to give non-straight characters or interactions commensurate page time, screen time, and/or validation, and get frustrated and angry.
    (You might feel like you want to throw something at the interrelated shows which have a couple hundred episodes between them and have had canonically gay characters for nearly three years and have two married gay couples and still haven’t ever managed to have two guys kissing onscreen. Just as a for-instance.)

I generally assume interpretation of a character is going to be done in good faith. I may not agree with it, and in certain extremely rare cases[1] I may conclude that you are bringing some very specific preconceptions to the text, but I will assume it is being done in good faith. But just because you read a character as having a marginalized identity, it doesn’t mean you can’t want the work in which you found them in to do better.

Seeing something in a work that resonates with you doesn’t mean that the creator stood behind what you’re seeing. (It can! It often does! But it can also mean you’ve picked up on something the creator didn’t intend or didn’t want to showcase.) It doesn’t mean you’re endorsing the creator. And it’s okay to call out shortcomings, and to expect better.
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[1] Like the time someone told me I should keep in mind that Gregor Clegane had been bullied as a child for being the biggest and the strongest.

Taking stock

(This is a very carefully circumscribed post, because that is what I need at the moment.)

Slowed down on getting rid of books. On the other hand, making progress on reading them, which is always nice.

Since it generally leads to a lot of people I know talking about writing and encouraging each other on wordcounts, trying to do NaNoWriMo. The Story Hospital has an excellent post on that.

Worried for people right now, and hoping everyone is doing as well as possible.

Westworld

First: I am not impartial about this show. It is beautiful, both visually and in terms of each episode’s construction. It is richly nuanced. It is thoughtful. Unless it takes a sharp right turn off a high cliff, I think it is going to be the best science fiction show I’ve seen this year.

Second: I have not yet seen more than the second episode, and it’s the second episode I want to talk about. (Of course, this might be the kind of thing people have already established in cast interviews, or something, but I’m going to put it under a cut for spoilers anyway.)

Read more Westworld

Too late.

I was walking home today and I ended up waiting at a streetlight next to two other people. One of them was trying to talk about his writing, and the other was interrupting. A lot. I’m sure he thought he was scoring very clever points.

“What do you mean, a book is forty thousand words?”

“Of course I’ve read a book. I read!”

“How can the internet screw it up? How can a book be ten words?”

And he was just badgering. And I wish I’d said something. I didn’t, because it was a private conversation and because the oh-so-clever man struck me as belligerent and possibly slightly drunk, and I was very tired and afraid of starting an argument.

But the other man was just trying to explain that he’d written forty thousand words, and that it was time to start trimming it down, and getting dragged into a discussion of work definitions by length, and…

I wish I’d said something. I wish I’d said excuse me, sir, you wrote forty thousand words? That’s amazing. Congratulations. Or something. Something to weigh in and let him know that deserved better than someone trying to chew at him over wordcount.

Never undervalue your work. Never undervalue the words you put down and hang together. Not everyone will know that it’s hard, not everyone will listen when you try to tell them.

But please know you’ve done something grand.

Processing.

So I was discussing fantasy novels with a co-worker today, and I mentioned The Last Unicorn, and they asked what that was, and I made a noise which is perhaps best described as “glk”. It looks like they might check it out, though, so that’s probably to the good.

Continuing to make progress on my clearing out of stuff; a couple of boxes of assorted smallthings left out for the CDA, and a bag of clothes. I’ve gotten rid of maybe another foot’s worth of books, and am organizing the remainder a little better now.

I feel older. Does that make sense? Realizing that I am not going to use things seems weirdly tied to realizing that I won’t have the time or energy to use them, and that realization makes me feel slower and more run-down. It’s not a bad end result–I am loving the decreasing of clutter–but it’s a somewhat melancholy feeling.

Books, spaced and sorted.

I’ve gotten a total of 58 inches of shelf space cleared over the last two weekends–and I’ve just realized that while if that was stacked up it would not be quite as tall as I am, it would still be pretty impressive–and I am thinking that I might need to change how I organize my books. Usually I sort fiction into anthologies, collections, and novels[1], but lately I’m thinking it might make more sense to subdivide the anthologies.

I’m starting to feel like the ones I have fall into two general groups; some are reference works (most of the annual “Year’s Best”, for example) and some are themed works (many one-shot anthologies, and my goodness I have a lot of post-apocalyptically themed ones). And organizing them that way–splitting the collections of ones selected for notability away from the ones selected for theme–might start to make it a little easier to get a handle on the… well, the general flood.

(I have over two hundred books that I own and haven’t finished. This doesn’t really make me very happy.)

I have also just realized (because I was updating Goodreads while sorting the culled books out) that I have finished one book this month. One. And it was a fairly slim graphic novel loaned to me by a friend.

(I am, for the record, in the habit of finishing between five and eight books a month. The higher numbers do usually include graphic novels and e-novelettes, both of which are quite fast reads, but still. So I feel a little bit better having evidence that I’ve actually been ridiculously busy, but at the same time I little disconcerted to realize how busy I’ve been.)
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[1] Well, usually I sort them first by hardcover/paperback/mass-market format, and then by anthology/collection/novel within that format, with the caveat that certain authors–Terry Pratchett springs to mind–get their own section by virtue of being who they are. Graphic novels, RPGs, and non-fiction are grouped by subject. The favourites shelf and the Mythos shelf (both of which are expanding past the “single shelf” category) may both ignore all these restrictions.

More air, less pulp

I’ve been cleaning things out lately; not even decluttering (which suggests to me either putting things away or disposing of casually accumulated things), but actually revisiting what I do and don’t want to keep. Things that I decided yes to a couple of years ago have been re-evaluated, and some are being kept, and some are being gotten rid of.

(The paper recycling is going to be heavy as hell this week, for the record. I feel a little bad about that, which is probably not reasonable.)

There are several more square feet of space in the room I am focussing on, and the impromptu cat bed has been replaced by a promptu one (surely not the correct word, surely a comprehensible incorrect one). It really does make a huge difference to how clear I find myself feeling when I’m in the room.

I’m hoping to get a chance to work on my office a little this weekend. At some point, I’ll need to comb through my physical books again, but that’s never an easy step to take. However, we’re at the point where we need another bookshelf to keep all the books we have[1], so something needs to change. I figure I’ll look at it once the rest of the house is better sorted.

[1] We already have thirteen.