Of fine bookery

Orrin Grey’s excellent collection, Never Bet the Devil & Other Warnings, is coming back into print! There’s a Kickstarter currently running for the new edition, so I am going to have two copies of it, and one of them will come with an extra story and some e-phemera. The stories in this book are lovely; I may have mentioned “The Seventh Picture” before, and I continue to live in the hope that someone will someday make a movie out of that one.

My review of the initial edition is here, but I figured I’d yank a partial paragraph:

There’s horror here, yes, but that’s not all that’s important here; Never Bet the Devil would be an impressive but rather cold book if it was. The infinite strangeness of the supernatural, that was what I was having trouble defining, and a love for the strange and supernatural elements of the genre. The stories, taken together, are stories of horror, and loneliness, and madness, and mystery. And they still manage to convey a sense of wonder. Not overwhelmingly so; I don’t think it’s possible to come away from them thinking cheerful thoughts. But dammit, reading stories like this, stories that have these things in them… this book makes me happy, and the reading has improved my days.

Overall it comes out to less than $2 a story to get a digital copy, and these are some really, really lovely stories, even without the illustrations. Worth checking out.

There and back again

In the last five days, I have

  • cruelly abandoned my cats in a place that is one step down from being a kitty spa,
  • travelled to Ohio (border crossings, dear god, border crossings. And why are the railings on the Ambassador Bridge gently crumbling away into rust like piles of cigarette ash?),
  • caught up with people that I haven’t seen in person in six years,
  • visited a fireworks store in Michigan (for the record, it smelled like bath bombs–not scented or perfumed bath bombs, just the dry and powdery ingredients that seem like they should end with -ate),
  • had a couple of pit bulls be absolutely adorable sloppy cuddle-puppies,
  • had a ridiculous amount of very good food,
  • hit the Toledo Zoo,
  • had a giraffe chew on my shirt (to be fair, he was going after the lettuce I wasn’t giving him fast enough),
  • seen jellyfish and bioluminescent fish and a very boredly dismissive kudu and really they are gorgeous in a very elegantly understated way,
  • learned three new campfire games,
  • stayed up very late playing a homebrew blend of Zombicide and Betrayal at House on the Hill,
  • stopped to have a sushi dinner with a friend I had never actually met in person before (who reads this! Hiiii!),
  • and gotten most of the way back home.

(Not all of the way. Self-preservation and the schedule of the cat boarding place dictated not driving all the way through, so we’ve stopped at a hotel. I am actually typing this last night–I cannot be bothered to wrangle hotel internet RN–so the last four days are “July 1st to 4th inclusive”. I’ll post it in the morning. It’ll still be “the last four days” when I do.)

I’ve also rediscovered that yes, I apparently am a person who gets squirrelly without a certain amount of movement in the day. It keeps surprising me; I never think I’ve been making a concentrated effort to walk long enough for it to have become any kind of habit.

I have brought back a not-to-my-mind-ridiculous amount of Cock & Bull caffeine free cherry-ginger soda, and a small stuffed green tiger from the Toledo Zoo. Whose name is Lymoncello, by the way. I will need to get a photo up.

Turning in, given how soon the alarm is going off. May all the roads you go down be kind ones.

Sic transit gloria

It’s been… odd. Not bad. I have missed travelling in the sense of being somewhere else; I always do. I wish teleportation was a thing; I wish the logistics of being able to leave were not so difficult, and there was more time. (I always wish there was more time.)

But I wish there’d been more time to be in transit, too; while the logistics of being able to travel are a pain (time off! pet care! packing!) the logistics of actually travelling are inevitably relaxing. There’s a fluidity to being able to drop someone a line, decide you can do dinner, know that since you’re in transit you don’t need to be home yet and can drive for a while or stop for a while or just wander. In the UK or the US it feels constantly interesting to me; in Canada it’s more like a larger subtler version of browsing a bookstore. There’s something fascinating about watching the world unscroll outside the window, and seeing the pattern of paint-flaked brick or peach-toned highway (seriously! There were great swathes of both highway and sidewalk that had a distinctly pinkish hue) or trees silhouetted black against the sky repeat itself until you start to get a sense of place. Not recognizing it, but relaxing into it enough that you could begin to describe it.

I didn’t take pictures, this trip. When it comes to the scenery, I am okay with that; I will remember it, and think about it, and pick out pieces. I wish I’d taken a few more of people, but I hope and trust there’ll be other times.

(Also, I got fifteen assorted pieces read for the Hugo voting. So that’s quantifiable.)

Turning in, given how soon the alarm is going off. May all the roads you go down be kind ones.

Time, and salt, and gannets

May was… long. I will speak no more of it than I already have.

The latest On Spec Magazine has been published, and contains my short story “Gannet Girl”; you can also get an electronic version of the issue here.

Gannets do not love humans, but they can see eye to eye with them. It’s a matter of some import.

(And in other news, the No Shit, There I Was… anthology funded, and I signed the contract and received payment; backers will get their copies, and then the book’ll be available to the general public.)

Certain lines can’t be uncrossed,
Certain maps will get you lost,
Once you’ve past the border then you’ll have to play the game.
Roll the dice but count the cards,
Break the glass but keep the shards.
The world is out of order. It’s been broken since you came.

The broken doors are hidden in the blood and in the bone.
My darling child, be careful now, and don’t go out alone.

This is an odd one because the work itself doesn’t exist.

What I’m quoting is a fragment of Don’t Go Out Alone, a children’s book that exists in-universe in Mira Grant’s Parasite, but is not confirmed to be fully transcribed. (Mira Grant is a pen name used by Seanan McGuire, so we’ve got an author who created an author who created an author… it’s turtles all the way down. Well, turtles with scalpels.)

Parasite is a lovely book; compelling characters, good pacing, a mounting sense of dread. The lines from Don’t Go Out Alone just chime through it and accentuate it. Absolutely worth reading.

Magical alphabet noir

I have a short story that’ll be appearing in the No Shit, There I Was… anthology from Alliteration Ink! The anthology theme is pretty straightforward; you could submit any specfic story, as long as it started with those five magic words. It’s currently being funded on Kickstarter; an ecopy of the anthology is $5, although nearly as many people are going for the trade[1].

Alex Acks is doing a daily discussion of the stories over on his blog while the Kickstarter is running, and today he wrote about mine; you can read what he had to say here, and I am sharing this because I am… well, gleeful and flattered and so pleased that apparently my story did what I wanted it to do!

(The discussions are compiled under the no shit anthology tag, and make for excellent reading, joint and severally.)
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[1] Omigod more of my words are going to be in print.

The Western Weird.

Yesterday, my contributors copies of The Weird Wild West came in. (They should have come sooner, but apparently there was some trouble, for which I suspect I should blame Canada Post; in any case, I would like to say that everyone at eSpec Books was absolutely lovely to deal with, and thank them all.)

I’m in a book. I’m in a book with an ISBN, and people said nice things about my story. One of the editors had a lovely reaction to it, and Amazing Stories called it a strong start to the anthology, and overall I am hugely pleased.

WWW_insideAnd the art is beautiful. I can’t take a good picture of any of the full-page pieces (and I suspect that might not be cool, in any case), but look at my extremely clumsy picture of that beautiful story header. Look. <3

Anyway, it’s on Amazon; you can get it starting at $5 for the ebook, or in trade paperback. And there’s a lovely page at the front with all the author’s names, and space for signatures; I’m planning to take one of my copies to cons, and get as many as I can.

The proof is this: they are here, the Goster County dogs.

This is one of those moments where you really need to read the story in order to appreciate the line, which on the one hand I kind of tend to avoid–but on the other hand after four years of wanting a copy of Bob Leman’s collection Feesters in the Lake, I am looking like I will actually get a copy of Feesters in the Lake, and I am celebrating.

I’ve spoken about Bob Leman before. His writing, from what I’ve seen, is elegant and restrained. I’m not sure I’d go so far as to call it understated, but his horror whispers, it does not shout.

You can read “Loob” in full at Weird Fiction Review.

Tuesday

It’s been a bit hectic recently and the notes I was getting ready for a couple of posts aren’t in finished shape, and I can’t pull them together tonight. I’ve actually got some pretty awesome news, and want to post about it in a day or so, but right now I’m pretty sure I’d make a terrible botch of it.

That said: I aten’t ded! And will be back, hopefully after some sleep helps.

Oh, where are you coming from, soldier, gaunt soldier,
With weapons beyond any reach of my mind,
With weapons so deadly the world must grow older
And die in its tracks, if it does not turn kind?

Stephen Vincent Benét isn’t very well-known for his science fiction, as far as I can tell; he wrote “By the Waters of Babylon“, and the story is known, but since he was better known for other work and came to science fiction late in a relatively short life, his name doesn’t bubble to the top very easily in genre discussions.

I ran across the poem while looking up The War Game (1965, BBC, an “and you though Threads was upsetting” kind of mockumentary), which uses it as an epigram. About once every eight months I run across it again, and then I spend three days humming it to a tune that’s something like “The Streets of Laredo”.

This time, I thought I’d share; the text in its entirety is here.